Mar 26, 2014

Die Cut Happy Birthday Cards


I had several birthdays to celebrate this month and wanted to make them with my Silhouette SD. I thought I would make one design and customize to match the recipient's favorite colors. This pink and purple one is for our niece who turned 13.


I have long admired paper cutters who cut by hand with a craft knife, but any time I think about trying it, I run the other way because I just don't have the patience for it. I finally drew a cake without measuring a single thing - no rulers or straight lines or grids or pre-thinking it. The fine lines are a delicate piece to remove from the adhesive mat and I manually thickened some areas to make gluing easier, but this is still not something I'd want to make many times over. My laziness is quite the task master!


I dabbed a glue stick like a bingo card - up and down, not rubbing across, or else the glue goes underneath the paper and would show in front. Again, the fineness is a hindrance.


As you can see, there is not much gluing surface here and a little too far on one side means you'll see it from the front so some fussing with the lines are needed.


In the end, I love how the thick black paper feels on top of the metallic colors below. It's a tactile thing that isn't quite the same if I put the colored piece on top, which would have been much easier.




Does anyone else come across this dilemma? Which do you prefer to do - difficult and tactile with challenging gluing OR larger, easier to glue pieces that go on top of the black?

Mar 24, 2014

Quilling Cupcakes - PDF Pattern / Tutorial


Who can resist a cupcake? Guilt-free and fun to make, these luscious swirls will make a card to keep.


There is an unusual way the creamy icing is made. It's not simply rubbing the strips in strategic places - I think that would be a bit of work and I'm quite lazy! There is some prep work involved in the set up, and then after that, it's frosting all the way. 


My file contains templates to print the 4.5" x 6.25" card backgrounds and also allows for you to type your own message as you see here.

My file contains four ready-to-print 4.5" x 6.25" cards and also allows for you to type your own message. To top it all off, there is also an editable envelope as well. This fresh batch of goodies are available now in my Etsy shop.

Mar 12, 2014

Easter Egg Planet


Inspired by Jeffery Rudell's post, Oeuf Couture: How to Dress an Easter Egg, I couldn't stop all the ideas that kept cropping up (see previous Easter Egg Spaceship).

This is a black box about 5.5 inches squared. The letters are cut from metallic silver vinyl.


The black paper is Canson Mi-Tientes. The simple purple ribbon helps to open the lid and foreshadows a hint of Easter without giving too much away.


Once open, a floating planet is set against a galaxy of stars.


Like a jaunty hat, it's rings are tilted off to the side. Wait a second, upon closer inspection...


...that's no sphere – it's an egg!


It comes apart – the ring is cut from Stardream metallic silver cardstock (got mine at Paper Poet) and simply rests on top of the egg. The egg is held aloft with a trimmed skewer stick that's been blackened with a marker.


I used Pearl Posca metallic markers to dot stars in the background. I would have used yellow but my set didn't come with one. It's about as Easter as I could make it.


I used this Pittsburgh punch set to make a hole for the skewer.


To prevent the skewer from skewing, I glued this rolled tube of cardstock below the galaxy backdrop. You may have noticed the backdrop being draped - that's so it photographs better without a distracting corner line.

If you're inspired to make Oeuf Couture too, I hope you'll let me know!

Mar 10, 2014

Featured on Make - Pretty Quilled Cards


I don't use Twitter, but if I did, I'm sure I'd be tweet-tweeting about this feature on MAKE. How cool is this? They are showcasing my Songbird Greeting card! There are so many occasions you can use this card.

For every project in the book, I supply an illustrated template at 100% so you can trace along with your quilling paper strips. Every element is labelled and matches a "Project Component" section. All you need to do is lay your quilling paper on top and score along the dotted lines, quill, then glue where the dots indicate.

Visit MAKE to download a PDF excerpt from my book, Pretty Quilled Cards. I really hope you're inspired to give quilling a try!


Mar 5, 2014

Happy (belated) Launch Day

http://www.amazon.com/gp/product/1454707844/ref=as_li_qf_sp_asin_il?ie=UTF8&camp=1789&creative=9325&creativeASIN=1454707844&linkCode=as2&tag=crafting0d2-20

My book officially launched yesterday and it reminded me of turning 13. Why was counting down the days to turn into a teenager? I dunno. I thought I would feel different. I didn't know what to write about my book being available for shipping yesterday, but I didn't want it to pass by without saying something to note the date. Yes, it was yesterday and so this post is a bit awkward, but if I have nothing to say, then I can't write.


So I dug around in my files today and remembered what I did near the end of my book. I forgot what I had considered the "holy grail" of solutions for leftover bits and pieces of quilled items that were going to get squished if I didn't glue it down immediately. I wish I had time to photograph steps of how I made these, but please keep in mind my room was overflowing with my book projects in various stages and my bits bin was exploding.

These cards are not my usual methodical style because I simply had no time to think – and that's what I think I like most, that they are more impulsive than the items I usually make.


See the circle in the middle with a message? That's included in the book for a cupcake topper project. I used this one on this card because it was off-center, and it didn't seem to matter because all the elements behind it were so random.

All I did was turn the circled message upside down and glued my bits hanging off the edge. I allowed the nice looking curls to do whatever it wanted. Once I "outlined" my circle, I turned the whole thing over and glued the patch down and added whatever stray coils on the side.


Here is one of my tester butterflies. I did most of my testing in white first until I liked the length of strip I used. To give the plain white butterfly some color, I patted it with an ink pad. I quite like how it gives it just a thin edge of color, almost like a halo.



After turning over this patch, I added extra swooshes on the top and bottom.


I was quite amazed at how quickly all my unmatched scraps got used up.


What I loved most was how it looked different once I turned it over. Strange but true! When you see all the coils from the back, it looks one way - flip it and it becomes something I didn't plan, kind of like a happy accident.


If anyone else has ideas of how to use up bits of quilled items, or if you are inspired to make something, I'd love to hear about it!


How to make your tissue box full (and retrievable)



This tutorial might be extremely banal and simplistic, but it solves a pet peeve of mine so I thought I'd share it anyway. Admitting I have a problem with things like this may say more about me that I want to admit! Does anyone else experience this?

After removing the first tissue, the second comes out nicely, ready to use. Halfway through the box, the tissue can't reach that far up, so stays down. I dig through the plastic slit only to continuously widen it further to the point of uselessness each time. The nearer I get to the bottom, the more frustrated I am by this ritual that I just dig the remaining batch out and toss the box.


To solve this inefficient eyesore, I kept a previously used box and flattened it. I scored new lines on 2 sides (one short and one long) to make the base just a tad smaller than original, so that it can fit into another box.


Once the same predicament happened again, I turned the half-used box upside down and inserted the trimmed older box into the new one and glued the tabs back in place. Ah, uninterrupted tissues ready for a sneeze!

Mar 1, 2014

Orchid Background Embossed with Big Shot


I was making an orchid for a 60th birthday card and was cutting 84lb Cover Starwhite Flash Pearl with the Silhouette SD. Normally I'd cut something thinner to make it easier on my machine, but I didn't have a lighter weight paper on hand that matched.


Due to the thickness, I set it to cut 3 times at full strength. It cut nicely enough until it snagged somewhere and then all the remaining cuts were off, ruining my design and card stock.


So I tried again, this time with 2 cuts at full strength. It didn't snag or misalign, but this time it didn't cut all the way. So for the entire design I had to manual cut the remaining fibers and at times my patience ran out and I yanked the bit out, leaving little torn bits behind. Looking at it with my Type A personality meant I wasn't happy with the bits. But which do I try again?


My friend recently bought a Big Shot and it came to my rescue! I used the same sheet I had just manually weeded and cranked it through, bits and all.


Seconds later a beautifully embossed texture has appeared on the front of my card without any bits hanging around, making the subtle backdrop I wanted, without all the drama.

So, how many more sleeps until Christmas...


The orchid and leaves are made of Stardream paper. I dotted the deep purple paper with a gold ink pen.